Thursday, 25 March 2010
Change in film location
My filming location was changed from azed & CO to 22 Carlwell Street SW17 OSE as of a change in my storyboard.
Monday, 15 March 2010
Film Soundtrack - unfinished
Ideas for film soundtrack
Twinkle Twinkle Horror - Psychological Thriller
Jake one - Trap Door(instrumental). http://www.youtube.com/watch?v=divApaxAt2Q
J Dilla - Light-works(instrumental). http://www.youtube.com/watch?v=VSaQdhDRVnU
Camu Tau - Left it to us(instrumental). http://www.youtube.com/watch?v=WouFAKuWV7I
Flying Lotus- Paper Crane Gang. http://www.youtube.com/watch?v=70S_7E2SPDQ
Mf Doom - White Willow Bark. http://www.youtube.com/watch?v=3sNESAE_cpk
Custom Track - Garageband
Twinkle Twinkle Horror - Psychological Thriller
Jake one - Trap Door(instrumental). http://www.youtube.com/watch?v=divApaxAt2Q
J Dilla - Light-works(instrumental). http://www.youtube.com/watch?v=VSaQdhDRVnU
Camu Tau - Left it to us(instrumental). http://www.youtube.com/watch?v=WouFAKuWV7I
Flying Lotus- Paper Crane Gang. http://www.youtube.com/watch?v=70S_7E2SPDQ
Mf Doom - White Willow Bark. http://www.youtube.com/watch?v=3sNESAE_cpk
Custom Track - Garageband
Wednesday, 10 March 2010
Character Background - Blake Lewis(unfinished)
Family
Blake's mother died from giving birth to him. He was never told of this by his father to protect him. In the course of his childhood he researched the death of his mum and came to know of the real cause and blamed himself for her death and developed a psychotic state.
Blake's father was a skilled hit-man but in Blake's point of view he was a successful stock broker and was Blake's idol.
Where Blake's passion for blood was developed:
Blake's father was hired to murder a well-connected mobster, he was quite skeptic but the pay was well and he thought it'll good for his family so he accepted. After he finished the job he realized he was being followed and murder threats were being sent to him, which lead to him being scared for Blake's life.
He researched into the threats and found the mob who were following him and threatening to hurt Blake and located them. One night he got ready to go and murder these mobsters as he felt this was the only way to keep Blake safe. As he was scared Blake's safety he took him and drove to the location and told Blake to stay in the car. Blake started to hear some screams from the house and got restless and left the car and peeked through the window and saw his father stabbing a man in the head.
Blake's mother died from giving birth to him. He was never told of this by his father to protect him. In the course of his childhood he researched the death of his mum and came to know of the real cause and blamed himself for her death and developed a psychotic state.
Blake's father was a skilled hit-man but in Blake's point of view he was a successful stock broker and was Blake's idol.
Where Blake's passion for blood was developed:
Blake's father was hired to murder a well-connected mobster, he was quite skeptic but the pay was well and he thought it'll good for his family so he accepted. After he finished the job he realized he was being followed and murder threats were being sent to him, which lead to him being scared for Blake's life.
He researched into the threats and found the mob who were following him and threatening to hurt Blake and located them. One night he got ready to go and murder these mobsters as he felt this was the only way to keep Blake safe. As he was scared Blake's safety he took him and drove to the location and told Blake to stay in the car. Blake started to hear some screams from the house and got restless and left the car and peeked through the window and saw his father stabbing a man in the head.
Monday, 8 March 2010
Planning - Film Studio
Genre: Psychological Thriller
Miramax Films – Independent Film/Production Company.
Psychological Thrillers Distributed:
- Reservoir Dogs
- Pulp Fiction
- Trainspotting
- Internal Affairs (Mou Gaan Dou)
- Hostage
- Kill Bill Volume 1
- Kill Bill Volume 2
- The Others
I could also use Dimension releases or The Weinstein Company, which were also founded by the founders of Miramax Films
They have released Psychological thrillers such as Grindhouse, The Mist, Inglorious Basterds, Hannibal Rising and Lucky Number Slevin.
I have decided to choose to use The Weinstein Company as it's founders were the founders of MIramax Films who from my research chose to distribute many psychological thrillers at their time in MIramax films so they would prefer to release my film as it is a psychological thriller. So The Weinstein Company would be the perfect company to distribute my film.
Miramax Films – Independent Film/Production Company.
Psychological Thrillers Distributed:
- Reservoir Dogs
- Pulp Fiction
- Trainspotting
- Internal Affairs (Mou Gaan Dou)
- Hostage
- Kill Bill Volume 1
- Kill Bill Volume 2
- The Others
I could also use Dimension releases or The Weinstein Company, which were also founded by the founders of Miramax Films
They have released Psychological thrillers such as Grindhouse, The Mist, Inglorious Basterds, Hannibal Rising and Lucky Number Slevin.
I have decided to choose to use The Weinstein Company as it's founders were the founders of MIramax Films who from my research chose to distribute many psychological thrillers at their time in MIramax films so they would prefer to release my film as it is a psychological thriller. So The Weinstein Company would be the perfect company to distribute my film.
Updated Synopsis
Blake Lewis is an intelligent but reserved accountant who has a passion for blood. Lewis plays out his role as a CEO for a multi-national company during the day, but when the sun is down, the violence within him heats up. But, unlike most psychopaths, Lewis knows that his urges are wrong and why they’re wrong, so he directs the urges to a greater cause, and deals out justice by killing the guilty.
Lewis has known, ever since he was a kid, that he was different from everyone else. He showed signs, namely the disturbing and deeply graphic depictions of murder and torture in his scrapbook, and as his family and school teachers started to worry for him, Lewis’ awareness of the monster within him was the beginning of his desire for self control. It took years of self exploration and effort, but over the years, he got better at controlling his passion for blood. One day, on the way home from university, Lewis glimpsed a man raping a teenage girl outside the bus window, and rushed off while it was moving; Lewis felt the need to help, went over and put an end to the situation before telling the girl to head home. But, after she left, Lewis couldn’t keep it back any longer; it wasn’t even about justice anymore. He just couldn’t let the monster walk free to hurt another innocent.
Next morning, police discovered the rapist with several stab wounds to his head. The killing wasn’t seen as one of justice, and went down as an unsolved murder.
The film continues five years later, in Lewis’ basement. His walls are completely full of newspaper clippings, showing his obsession with criminals and his desire for justice. Lewis is shown organizing a large number of knives and weapons.
Lewis picks up a blood stained knife, and an extreme close up of the knife is shown, with his blurred face visible in the background because of the focus. As the focus shifts onto Blake, a smirk is shown visible on his face, and then a dialogue begins: “(laugh) well I learned how to adapt”.
Lewis is shown making his way to work and his stream of consciousness is played as a non-digetic sound in the background, mixed in with many close-ups of his face as Lewis’ thoughts flitter constantly between his inner demon, and his day-time persona, which is the side of him which keeps his demon alive and concealed.
Lewis is unable to find any meaning in life, any satisfaction, or any sense of being, during the day. He knows that it’s because of the demon, because he only ever feels truly alive at night, which he subconsciously links back to his first murder. He has trouble identifying night time with anything else, and it’s the only time he can really feel like he matters to the world. He knows that leading a dual identity is tearing him apart, though. He just can’t go on living the way he does.
After work one day, a co-worker, Ken, invites Lewis over to his house for dinner which Lewis reluctantly agrees to go to. It’s at dinner that Michael introduces him to his sister. Lewis is just mesmerized by her beauty, and it’s at this point he realizes that there could be more in store for him than he’s living right now. He’s content just knowing that she may be the one, the one who will divert his passion away from blood lust and into something greater.
As Lewis’ love for Angela develops, he notices how she doesn’t show much interest in return, and he’s gutted that the love between them isn’t mutual, as she insists they’ll remain friends. This bothers Lewis a lot but he remains confident that she is the one for him. It’s this anger which will fuel the murders of this story, as his frustration is unleashed and his murders grow increasingly violent, and the locals, who have always suspected the existence of a ruthless vigilante, start fearing for their lives, as they learn that the “justice” that has been handed out in the city over the last few years might not be so righteous after all.
Lewis has known, ever since he was a kid, that he was different from everyone else. He showed signs, namely the disturbing and deeply graphic depictions of murder and torture in his scrapbook, and as his family and school teachers started to worry for him, Lewis’ awareness of the monster within him was the beginning of his desire for self control. It took years of self exploration and effort, but over the years, he got better at controlling his passion for blood. One day, on the way home from university, Lewis glimpsed a man raping a teenage girl outside the bus window, and rushed off while it was moving; Lewis felt the need to help, went over and put an end to the situation before telling the girl to head home. But, after she left, Lewis couldn’t keep it back any longer; it wasn’t even about justice anymore. He just couldn’t let the monster walk free to hurt another innocent.
Next morning, police discovered the rapist with several stab wounds to his head. The killing wasn’t seen as one of justice, and went down as an unsolved murder.
The film continues five years later, in Lewis’ basement. His walls are completely full of newspaper clippings, showing his obsession with criminals and his desire for justice. Lewis is shown organizing a large number of knives and weapons.
Lewis picks up a blood stained knife, and an extreme close up of the knife is shown, with his blurred face visible in the background because of the focus. As the focus shifts onto Blake, a smirk is shown visible on his face, and then a dialogue begins: “(laugh) well I learned how to adapt”.
Lewis is shown making his way to work and his stream of consciousness is played as a non-digetic sound in the background, mixed in with many close-ups of his face as Lewis’ thoughts flitter constantly between his inner demon, and his day-time persona, which is the side of him which keeps his demon alive and concealed.
Lewis is unable to find any meaning in life, any satisfaction, or any sense of being, during the day. He knows that it’s because of the demon, because he only ever feels truly alive at night, which he subconsciously links back to his first murder. He has trouble identifying night time with anything else, and it’s the only time he can really feel like he matters to the world. He knows that leading a dual identity is tearing him apart, though. He just can’t go on living the way he does.
After work one day, a co-worker, Ken, invites Lewis over to his house for dinner which Lewis reluctantly agrees to go to. It’s at dinner that Michael introduces him to his sister. Lewis is just mesmerized by her beauty, and it’s at this point he realizes that there could be more in store for him than he’s living right now. He’s content just knowing that she may be the one, the one who will divert his passion away from blood lust and into something greater.
As Lewis’ love for Angela develops, he notices how she doesn’t show much interest in return, and he’s gutted that the love between them isn’t mutual, as she insists they’ll remain friends. This bothers Lewis a lot but he remains confident that she is the one for him. It’s this anger which will fuel the murders of this story, as his frustration is unleashed and his murders grow increasingly violent, and the locals, who have always suspected the existence of a ruthless vigilante, start fearing for their lives, as they learn that the “justice” that has been handed out in the city over the last few years might not be so righteous after all.
Sunday, 7 March 2010
Change in Film Schedule
Filming on Sunday 7th March 2010 had to be postponed as our shot location 'Azed & Co' was closed for the day. The change in the schedule was a spontaneous decision as i was informed just a day before on 6th March that the office will not be open. So as of the delay our first shoot will be on Wednesday 10th March 2010 from 5-7 Pm/
Planning – Lighting
Blake Lewis – There will be much contrast from high key and low key lighting as a he can see from different perspectives – A serial killer who serves justice or a serial killer with a passion for murder.
Low key Lighting – To represent evil
But this is the sort of the lighting that will be used on Blake as it has strips of the sun shining on his body to represent two sides to his character – one which kills for justice and one that kills as a hobby.
Here is an example from Taxi Driver with Robert De Niro playing Travis Bickle. Low-key lighting is used on him to present his character as a villain and the identity as a villain is further supported by the two Handguns he is holding.
Planning – Shooting
My opening sequence will take place in the night but it will be hard to organize filming session at night as of the problems with the lighting. But as my opening sequence will take place in an office I’ll be able do the shoot in the day as it won’t be possible to identify at what time the events are taking place. Even though I may shoot in the day artificial lighting will still be needed as the time of filming has to be apparent to the viewer.
Even though artificial lighting will be used a lot of darkness will have to viewable in the scene to give the feeling mystery and evil through Blake’s character. The darkness can be used to unsteady the viewer and in this case Blake’s questionable character is supposed to leave the audience to either to view the character as a villain or one fighting for justice. With the darkness concealing much from the audience and leaving them to question the characters creates as suspense as the viewer doesn’t know what to make of the events that have taken place.
Camera/Angle
My opening sequence will include many extreme-close ups of the characters faces to unease the viewer and make them feel vulnerable to Blake’s character and able to connect with him. The close-ups will also be used to show the fear on Michael and Ken’s faces and unease the viewer and make them unsure on who is the villain which creates suspense. In my opening sequence I will use the camera angles, shots and lighting to represent the conventions of thriller such as Low-key lighting to represent mystery and evil and close ups to represent the characters emotions e.g. fear.
The opening sequence will for the majority of the sequence shown from Blake’s perspective so the viewer will get to know of motives and mixed with the close-ups and his stream of consciousness playing in the background the viewer may result in feeling as they know Blake and others may feel too close and may be pushed away from Blake’s character straight from the opening of the film.
Blake Lewis – There will be much contrast from high key and low key lighting as a he can see from different perspectives – A serial killer who serves justice or a serial killer with a passion for murder.
Low key Lighting – To represent evil
But this is the sort of the lighting that will be used on Blake as it has strips of the sun shining on his body to represent two sides to his character – one which kills for justice and one that kills as a hobby.
Here is an example from Taxi Driver with Robert De Niro playing Travis Bickle. Low-key lighting is used on him to present his character as a villain and the identity as a villain is further supported by the two Handguns he is holding.
Planning – Shooting
My opening sequence will take place in the night but it will be hard to organize filming session at night as of the problems with the lighting. But as my opening sequence will take place in an office I’ll be able do the shoot in the day as it won’t be possible to identify at what time the events are taking place. Even though I may shoot in the day artificial lighting will still be needed as the time of filming has to be apparent to the viewer.
Even though artificial lighting will be used a lot of darkness will have to viewable in the scene to give the feeling mystery and evil through Blake’s character. The darkness can be used to unsteady the viewer and in this case Blake’s questionable character is supposed to leave the audience to either to view the character as a villain or one fighting for justice. With the darkness concealing much from the audience and leaving them to question the characters creates as suspense as the viewer doesn’t know what to make of the events that have taken place.
Camera/Angle
My opening sequence will include many extreme-close ups of the characters faces to unease the viewer and make them feel vulnerable to Blake’s character and able to connect with him. The close-ups will also be used to show the fear on Michael and Ken’s faces and unease the viewer and make them unsure on who is the villain which creates suspense. In my opening sequence I will use the camera angles, shots and lighting to represent the conventions of thriller such as Low-key lighting to represent mystery and evil and close ups to represent the characters emotions e.g. fear.
The opening sequence will for the majority of the sequence shown from Blake’s perspective so the viewer will get to know of motives and mixed with the close-ups and his stream of consciousness playing in the background the viewer may result in feeling as they know Blake and others may feel too close and may be pushed away from Blake’s character straight from the opening of the film.
Planning Part one
As I am the only member of my group and my assigned actors do not share the same free periods as me we have agreed to film the opening sequence after school and outside school.
My opening sequence will be shot in an office which will show Blake sitting on the ground with the dead bodies of Ken and Michael laying either side of him.
Ideas for opening sequence: - Begins with extreme close-up of Blake wearing his gloves.
- Shot switches to pan shot Michael and Ken in the office looking over clues over the mysterious serial killer.
- Quick succession of reverse shots between the office and Blake approaching the office.
- Close-ups of Michael and Ken to represent the fear on their faces.
- As Blake approaches the office the lights go out to represent evil through low key lighting but the office’s lights stay on to represent the innocent/good through high-key lighting.
- Camera doesn’t follow Blake into the office – medium long shot of Blake’s back is shown whilst the door is shut on the camera.
- As the door closes the camera slowly zooms towards the door and a non-digetic sound is played in the background – voiceover by Blake
- When Blake’s voice over finishes a thud comes from inside the room and then the screen goes blank and the next time is camera active is inside the room where Blake is shown lying next to the dead bodies of Ken and Michael and the camera zooms into an extreme close up of Blake’s face and the sequence ends with one last voiceover by Blake.
As I am the only member of my group and my assigned actors do not share the same free periods as me we have agreed to film the opening sequence after school and outside school.
My opening sequence will be shot in an office which will show Blake sitting on the ground with the dead bodies of Ken and Michael laying either side of him.
Ideas for opening sequence: - Begins with extreme close-up of Blake wearing his gloves.
- Shot switches to pan shot Michael and Ken in the office looking over clues over the mysterious serial killer.
- Quick succession of reverse shots between the office and Blake approaching the office.
- Close-ups of Michael and Ken to represent the fear on their faces.
- As Blake approaches the office the lights go out to represent evil through low key lighting but the office’s lights stay on to represent the innocent/good through high-key lighting.
- Camera doesn’t follow Blake into the office – medium long shot of Blake’s back is shown whilst the door is shut on the camera.
- As the door closes the camera slowly zooms towards the door and a non-digetic sound is played in the background – voiceover by Blake
- When Blake’s voice over finishes a thud comes from inside the room and then the screen goes blank and the next time is camera active is inside the room where Blake is shown lying next to the dead bodies of Ken and Michael and the camera zooms into an extreme close up of Blake’s face and the sequence ends with one last voiceover by Blake.
Synopsis Draft
Script
Blake Lewis is an intelligent but reserved accountant who as a passion for violence. Blake Lewis who in the day plays out his role as a CEO for a business company but when it comes to the night he feels the urge violence but uses this urge to a greater cause as he murders those who defy the law and hands out justice through murder.
Blake knew since he was a kid he was different but learnt through the years to combat the passion for blood and murder in him. He would show signs as a child through graphic drawings of murder and torture and as his family and school teachers started to worry for his state Blake became aware and fought against his passion through the day but wasn’t able to control it through the night.
One day one the way home from university Blake caught a glimpse of a man raping a teenager, Blake felt the need to help and went over and was able to take the control over the situation and told the girl to head home. Blake felt justice needed to be served and he could fulfil his urge for blood through justice.
The man was found next morning with several stab wounds in the head. The killing wasn’t regarded as one of justice and was classed as an unsolved murder.
The film is continued 5 years later in Blake basement full of newspaper clippings showing many criminals and their crimes. Blake is shown placing a number of knives and weapons.
At this moment shown to pick up a blood stained knife and an extreme close up of the knife and the camera moves to his face and a smirk is shown on his face and then a dialogue is played in “(laugh) well I learned how to adapt”.
Blake is shown making his way to work and his stream of consciousness is played as a non-digetic sound in the background mixed with many close-ups of his face and Blake’s thoughts switch from his demonic side to his day-time personality in which he covers his “true” side by playing the role of a Ceo of business firm.
Blake can’t seem to grasp any meaning for his life other than his actions that occur in the night and feels he can’t carry on playing two lives. One day after work Ken invites Blake to his house for dinner and Blake reluctantly accepts and at the dinner Ken introduces him to his sister. Blake is mesmerized by her beauty and becomes content that she may be the one who could divert his attention from his thirst for violence.
As Blake’s love for Angela develops she doesn’t seem to show much interest in return but insists they shall remain friends. This bothers Blake a lot but he remains intent that she is the one for him and all this anger is portrayed through his murders which start becoming more and more violent and the police and public start to question if these murders are actually doing justice.
Blake Lewis is an intelligent but reserved accountant who as a passion for violence. Blake Lewis who in the day plays out his role as a CEO for a business company but when it comes to the night he feels the urge violence but uses this urge to a greater cause as he murders those who defy the law and hands out justice through murder.
Blake knew since he was a kid he was different but learnt through the years to combat the passion for blood and murder in him. He would show signs as a child through graphic drawings of murder and torture and as his family and school teachers started to worry for his state Blake became aware and fought against his passion through the day but wasn’t able to control it through the night.
One day one the way home from university Blake caught a glimpse of a man raping a teenager, Blake felt the need to help and went over and was able to take the control over the situation and told the girl to head home. Blake felt justice needed to be served and he could fulfil his urge for blood through justice.
The man was found next morning with several stab wounds in the head. The killing wasn’t regarded as one of justice and was classed as an unsolved murder.
The film is continued 5 years later in Blake basement full of newspaper clippings showing many criminals and their crimes. Blake is shown placing a number of knives and weapons.
At this moment shown to pick up a blood stained knife and an extreme close up of the knife and the camera moves to his face and a smirk is shown on his face and then a dialogue is played in “(laugh) well I learned how to adapt”.
Blake is shown making his way to work and his stream of consciousness is played as a non-digetic sound in the background mixed with many close-ups of his face and Blake’s thoughts switch from his demonic side to his day-time personality in which he covers his “true” side by playing the role of a Ceo of business firm.
Blake can’t seem to grasp any meaning for his life other than his actions that occur in the night and feels he can’t carry on playing two lives. One day after work Ken invites Blake to his house for dinner and Blake reluctantly accepts and at the dinner Ken introduces him to his sister. Blake is mesmerized by her beauty and becomes content that she may be the one who could divert his attention from his thirst for violence.
As Blake’s love for Angela develops she doesn’t seem to show much interest in return but insists they shall remain friends. This bothers Blake a lot but he remains intent that she is the one for him and all this anger is portrayed through his murders which start becoming more and more violent and the police and public start to question if these murders are actually doing justice.
Friday, 5 March 2010
FIlm Treatment
Genre – Psychological Thriller
Plot: First person analysis of Mysterious serial killer who seeks justice but is seen as a villain by the public. Follow day-to-day life of serial killer in which he Starts to doubt himself as all he public believe he is a villain and his killings aren’t those of justice. The killer starts to lose his mind as he doesn’t know who to trust as of much of the public trying to catch him and the film ends with him going on a killing spree as he doesn’t know who his enemy is.
Links to Taxi Driver – First Person analysis
Links to American Psycho – Loses his mind as he starts to doubt himself + ends
Up going on a killing spree at the end.
Links to memento – Doesn’t know who trust and what to believe.
Links to Reservoir Dogs – Lack of trust – Characters losing their minds.
Links to the Departed – Fear – Lack of trust – characters losing their minds – Killing spree at the end of the film.
Day to day life sees Blake Lewis as a CEO and falls in love with his best friends Ken’s sister Angela Stewart. In the day he hears his friends/public’s view on the mysterious serial killer and as the number of killings’ increase the public’s his family friends start to doubt the serial killers role in society. Blake takes account of all his close friends+ family’s view on the serial killer and starts to lose his sanity as everyone begins to doubt the serial killers role and his close friend Michael Bane begins to investigate the killer’s existence. As he kills society’s criminals e.t.c. He starts to doubt his killings but begins to develop an obsession for murder and fears he is becoming what public see him as. He begins to kill not for justice but for his own pleasure – begins to kill those who he isn’t fond of and is forced to kill his close friend as he comes close to finding out the identity of the killer. At this point he completely loses his sanity as he questions what he has become and realizes he has become what he fought against and starts to get paranoid that others such as his girlfriend and his family may know of his real identity. With so many doubts and with his friends becoming close to realizing his identity Blake decides he has to take out his anyone who may anything of his identity. This forces Blake to go on a killing spree(inspired by American Psycho). The film ends with Blake sitting next on either side of his dead friends Ken and Michael and is covered in blood.
Actors:
- Blake Lewis – Serial killer
- Angela Stewart – Blake’s Love interest – Ken Stewart’s sister
- Ken Stewart – Blake’s Best Friend/ Colleague.
- Michael Bane – Friend/ Detective.
Genre – Psychological Thriller
Plot: First person analysis of Mysterious serial killer who seeks justice but is seen as a villain by the public. Follow day-to-day life of serial killer in which he Starts to doubt himself as all he public believe he is a villain and his killings aren’t those of justice. The killer starts to lose his mind as he doesn’t know who to trust as of much of the public trying to catch him and the film ends with him going on a killing spree as he doesn’t know who his enemy is.
Links to Taxi Driver – First Person analysis
Links to American Psycho – Loses his mind as he starts to doubt himself + ends
Up going on a killing spree at the end.
Links to memento – Doesn’t know who trust and what to believe.
Links to Reservoir Dogs – Lack of trust – Characters losing their minds.
Links to the Departed – Fear – Lack of trust – characters losing their minds – Killing spree at the end of the film.
Day to day life sees Blake Lewis as a CEO and falls in love with his best friends Ken’s sister Angela Stewart. In the day he hears his friends/public’s view on the mysterious serial killer and as the number of killings’ increase the public’s his family friends start to doubt the serial killers role in society. Blake takes account of all his close friends+ family’s view on the serial killer and starts to lose his sanity as everyone begins to doubt the serial killers role and his close friend Michael Bane begins to investigate the killer’s existence. As he kills society’s criminals e.t.c. He starts to doubt his killings but begins to develop an obsession for murder and fears he is becoming what public see him as. He begins to kill not for justice but for his own pleasure – begins to kill those who he isn’t fond of and is forced to kill his close friend as he comes close to finding out the identity of the killer. At this point he completely loses his sanity as he questions what he has become and realizes he has become what he fought against and starts to get paranoid that others such as his girlfriend and his family may know of his real identity. With so many doubts and with his friends becoming close to realizing his identity Blake decides he has to take out his anyone who may anything of his identity. This forces Blake to go on a killing spree(inspired by American Psycho). The film ends with Blake sitting next on either side of his dead friends Ken and Michael and is covered in blood.
Actors:
- Blake Lewis – Serial killer
- Angela Stewart – Blake’s Love interest – Ken Stewart’s sister
- Ken Stewart – Blake’s Best Friend/ Colleague.
- Michael Bane – Friend/ Detective.
Planning - Film Schedule + Film Location
Film Schedule
The majority of my film will be shot outside school and on weekends as I am the only member of my group and my assigned actors do not have the same free periods as me and my other assigned actors do not attend my school.
Film Timing:
Tuesday 16h March 2010 - 5 - 7 p.m.
Thursday 18th March 2010 - 6 - 7 p.m.
Tuesday 23rd March 2010 - 9 - 11 a.m
Thursday 25th March 2010 - 5 - 6 p.m.
Film Location
The opening sequence will be shot at an accountant’s office in Mitcham. I was able to require the setting, as my dad is a friend of the owner of the accountant’s office.
Address: 392 London Road Mitcham CR4 4EA
Contact Number: 020 8646 6777
Shot of film location
The majority of my film will be shot outside school and on weekends as I am the only member of my group and my assigned actors do not have the same free periods as me and my other assigned actors do not attend my school.
Film Timing:
Tuesday 16h March 2010 - 5 - 7 p.m.
Thursday 18th March 2010 - 6 - 7 p.m.
Tuesday 23rd March 2010 - 9 - 11 a.m
Thursday 25th March 2010 - 5 - 6 p.m.
Film Location
The opening sequence will be shot at an accountant’s office in Mitcham. I was able to require the setting, as my dad is a friend of the owner of the accountant’s office.
Address: 392 London Road Mitcham CR4 4EA
Contact Number: 020 8646 6777
Shot of film location
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